"The RP1000's ability to interface with a huge range of external amps and effects devices makes it a real winner. Impressive sound and build quality, easy programming and versatility add up to a unit with serious longevity and a broad appeal”. Play Music Pickup Magazine, March 2009
Your sound is king. The control of your sound is imperative. The RP1000 gives you added control to express yourself the way you want – No longer will the lack of control stand in the way of your expression
Your rig. The RP1000 integrates into your amp and with your stompboxes, not the other way around. Featuring exclusive Stompbox and Amp loops, the RP1000 doesn’t get in the way of your tone and switches external stompboxes in and out of the signal path like large pro rigs. No longer will you have to do the pedal tap dance, just select your preset and your tone is engaged, just the way you like it.
Your Amp. In conjunction with the external Amp Loop, the RP1000 also features an Amp/Cabinet bypass switch that allows you to turn off the RP1000’s internal amplifiers and cabinets so your amp’s tone stands alone.
Simplicity of a Stompbox. Popular on the RP500, the RP1000 also features the Pedalboard option that turns footswitches 6 through 10 into stompbox style effect on/off controls.
100 Different Pedalboards. When the Amp/Cabinet Bypass is used in conjunction with the Pedalboard mode, the RP1000 turns into 100 different pedalboards. You get instant access to both preset changes and stompbox on/off control, truly the best of both worlds.
Phrase Looper. The RP1000’s built-in Phrase Looper lets you create on the fly performance loops for practicing, composing, and performing. With 20 seconds of record time and controls for Stop, Play, and Overdub, you can layer different guitar parts and tones seamlessly into cool song ideas or one-man jams.
The RP1000 is built like a tank from a cast metal chassis to the 14 heavy-duty switches. A large 10 character LED display makes for easy stage use topped by an built-in expression pedal to control wahs, volume, Whammy™ and other parameters.
No matter how you get your tone, the RP1000 works with your gear and gives you the control you need when playing live.
All specifications subject to change. DigiTech, X-Edit, Production Modeling, Grunge, Death Metal, Jimi Hendrix™ Artist Series Pedal, DOD, Gonkulator, DigiTech Whammy, Multi Chorus, Auto Ya, YaYa, Synth Talk, Lexicon, Johnson Amplification and AudioDNA are trademarks of Harman International Industries Inc. *Other product names modeled in this product are trademarks of their respective companies that do not endorse and are not associated or affiliated with DigiTech or Harman International Industries, Inc. ADA Flanger, Arbiter Fuzz Face, Boss CE-2 Chorus, Boss CS-2, Boss DM-2, Boss DS-1, Boss Metal Zone, Boss OC-2 Octaver, Boss OD-1, Boss SD-1, Celestion, Carvin Legacy, Demeter Fuzzulator, Dunlop Cry Baby, EH Big Muff ?, EH Electric Mistress, EH Small Clone, EH Small Stone, EMT 240 Plate, Fender Blackface Deluxe Reverb, Fender Blackface Twin Reverb, Fender Blonde Bassman, Fender Brownface Bassman, Fender Opto Tremolo, Fender Tweed Bassman, Fender Tweed Champ, Fender Tweed Deluxe, Fender Twin Reverb, Fulltone OCD Overdrive, Gibson GA-40, Guyatone Overdrive, Hiwatt, Ibanez Tube Screamer, Jensen Blue Backs, Laney Supergroup, Maestro EP-2, Marshall, Marshall JTM-45, Marshall Jump Panel, Marshall Master Volume, Marshall Super Lead, Matchless, Matchless Chieftain, Mesa/Boogie, .22 Caliber, Mark II, Mark IV, Dual Rectifier, Triple Rectifier, MXR, MXR Distortion +, MXR DynaComp, MXR Flanger, MXR Phase 100, Orange OR120, Peavey 5150, ProCo Rat, Randall HT-100, Roger Mayer Octavia, Roland JC-120, Soldano, Sunn 100S, TC Electronic Chorus, Unicord Uni-Vibe, VHT Amplification, Voodoo Labs Analog Chorus, Voodoo Labs Sparkle Drive, Vox, Vox Bias Tremolo, Vox Clyde McCoy Wah, and Vox Top Boost are trademarks or trade names of other manufacturers and were used merely to identify products whose sounds were reviewed in the creation of this product. All other trademarks are the property of their respective holders.
Arbiter® Fuzz Face™
Boss® DS-1™ Distortion
Boss® MT-2 Metal Zone®
Boss® OD-1 Overdrive
Boss® SD-1 Overdrive
Demeter Fuzzulator
DigiTech® Amp Driver
DigiTech® Death Metal™
DigiTech® Grunge®
DigiTech® Redline Modified Overdrive
DOD® 250 Overdrive/Preamp
DOD® Classic Fuzz
DOD® Gonkulator Ring Modulator
Electro-Harmonix® Big Muff Pi®
Fulltone® OCD Overdrive
Guyatone® Overdrive OD-2
Ibanez® TS-9 Tube Screamer
Ibanez® TS-808 Tube Screamer
Modified Ibanez® TS-9
MXR® Distortion +
Pro Co RAT™
Roger Mayer Octavia™
Voodoo® Lab Sparkle Drive®
’99 Carvin® Legacy VL-100
DigiTech® Blackbass – ’65 Blackface preamp w/ Bassman poweramp
DigiTech® Blues
DigiTech® Bright Clean
DigiTech® Brownsound - Hot rodded 80’s stack tone
DigiTech® Chunk
DigiTech® Clean Tube
DigiTech® Crunch
DigiTech® Darkmetal – Responsive, tight metal tone
DigiTech® Fuzz
DigiTech® GSP2101TM Artist Clean Tube
DigiTech® GSP2101 Artist Saturated Tube
DigiTech® High Gain
DigiTech® Metal
DigiTec®h Monster - Maxed out gain
DigiTech® Mosh – Chunky metal tone with just the right amount of sizzle
DigiTech® Solo
DigiTech® Spank
DigiTech® Stonerrock – Thick, sludgy distorted amp tone
DigiTech® Transistor – Solid state transistor amp sound
DigiTech® Tweedface – Tweed preamp w/Blackface poweramp
'57 Fender® Tweed Champ®
'57 Fender® Tweed Deluxe™
'59 Fender® Tweed Bassman®
'62 Fender® Brownface Bassman®
'65 Fender® Blackface Twin Reverb®
'65 Fender® Blackface Deluxe Reverb®
’59 Gibson® GA-40
'69 Hiwatt® Custom 100 DR103
’69 Laney™ Supergroup
'65 Marshall® JTM-45
'68 Marshall® 100 Watt Super Lead (plexi)
'68 Marshall® Jump Panel
'77 Marshall® Master Volume
'83 Marshall® JCM800
'93 Marshall® JCM900
'01 Marshall® JCM2000 (Solo Channel)
'81 Mesa Boogie® Mark II C
’86 Mesa Boogie® .22 Caliber
'93 Mesa Boogie® Mark IV
'01 Mesa Boogie® Dual Rectifier
'01 Mesa Boogie® Triple Rectifier
’95 Matchless™ Chieftain
'96 Matchless™ HC30
’74 Orange™ OR 120
’99 Peavey® 5150® II
’88 Randall® HT-100
’84 Roland® JC-120
'88 Soldano SLO-100
’67 Sunn® 100S
'62 Vox® AC15
'63 Vox® AC30 Top Boost
Direct – No amp model
Dreadnaught Acoustic
Jumbo Acoustic
1x8 '57 Fender® Tweed Champ®
1x12 '57 Fender® Tweed Deluxe®
1x12 '65 Fender® Blackface Deluxe Reverb
1x12 '62 Vox® AC15 w/20W Vox Speaker
1x12 '59 Gibson® GA-40
2x12 DigiTech® Bright
2x12 '57 Fender® Blonde Bassman®
2x12 '65 Fender® Blackface Twin Reverb®
2x12 '63 Vox® AC30 Top Boost w/ Jensen® Blue Backs
2x12 '84 Roland® Jazz Chorus
2x15 ’68 Sunn 200S w/JBL-Lansings
4x10 '59 Fender® Tweed Bassman®
4x12 DigiTech® Alt Rock
4x12 DigiTech® Chunk
4x12 DigiTech® Metal
4x12 DigiTech® Rock
4x12 DigiTech® Solo
4x12 DigiTech® Spank
4x12 DigiTech® Speaker Compensation
4x12 DigiTech® Vintage
4x12 Hiwatt® Custom w/ Fane Speakers
4x12 Johnson® Straight w/ Celestion Vintage 30’s
4x12 Marshall® 1960 Straight w/ Celestion®
G12-T70
4x12 '07 Mesa/Boogie® w/Celestion® Vintage 30™ speakers
4x12 Marshall® 1960 Slant w/ Celestion 25W Green backs
4x12 '96 VHT® Slant w/ Celestion Vintage 30’s
Direct - No cabinet model
RP1000 drivers and X-Edit software are
NOW AVAILABLE
RP Software Setup Guide (554 kB)
Owner's Manual (6.8 MB)
Cubase LE 4 Activation Procedure
Pro Guitar Shop RP1000 Setup Guide
(Flash required)
Sound Demo by Rikk Beatty (Flash required)